¥300
App Store で開く
iPhone / iPad 対応
3.2MB
年齢4+
CTD Live Mobileはどんなアプリ?
CTD Live Mobileは、iPhoneやiPadをOBS Studioの操作用リモコンに変えるアプリです。
QRコードを読み取るだけで素早く接続を完了し、離れた場所からでも配信の操作を行えます。全シーンのサムネイルを一覧で確認しながら切り替えを行う画面や、録画と配信の開始と停止を管理する機能が入っています。特定のボタンに操作を割り当てられるため、複雑な操作を自動化してスムーズな進行を支えます。
機材が並ぶ配信現場の片隅から操作したい配信者や、複数のカメラを切り替える映像制作の現場で助けになります。リモートでの接続も可能なため、自宅のPCから離れた場所でも安定した運用ができます。
アノアプリによる紹介文です。デベロッパー公式の説明はApp Storeでご確認いただけます。
CTD Live Mobileの注目ポイント
専用端末による操作の効率化
手元の端末をOBS Studioを操るためのリモコンとして転用できます。メインのPC画面を占領せずに、離れた場所からボタン操作や設定の変更をスムーズに行えるため、配信の進行に集中できます。
QRコードによる素早い接続
カメラで表示されたコードを読み取るだけで、複雑な設定を入力する手間を省いて接続を完了します。現場で慌てることなく、すぐに操作の準備を整えられるためスムーズな立ち上げができます。
モバイル通信での遠隔操作
Wi-Fi環境がない場所でも、モバイルデータ通信を利用して配信のコントロールを遠隔から行えます。外部のスタジオや会場から接続しても、安定した通信環境で操作を継続できるため安心です。
サムネイルによる視覚的な切り替え
全シーンの画像を一覧で確認しながら、タップ一つで映像を切り替えられます。現在の状況を視覚的に把握できるため、複数のカメラを使い分ける場面でも正確な操作が行えます。
価格履歴
現在は300円です。過去61日間で最も長く続いた価格と同じです。この間に1回値上げされ、値下げはありませんでした。
アノアプリが独自に収集した価格履歴をもとに分析しています。
- 買い時判定
- 通常価格
- 記録期間
- 61日
- 最頻価格
- ¥300
- 記録上の最安値
- ¥150
価格更新履歴
| 日付 | 価格 |
|---|---|
| 2026-09-12 | ¥300 |
| 2026-09-07 | ¥150 |
ランキング推移
写真/ビデオ(有料):最終圏内 95位(2026年09月08日)
ユーザーレビュー (当サイト投稿)
まだレビューがありません。最初のレビューを書いてみましょう。
アプリ更新履歴
Ver 2.2.0 2026-11-01
• Control OBS from anywhere with CTD Relay. Scan the code in CTD Relay → Settings → API → Connect a phone and run the deck over Wi-Fi or mobile data. OBS stays off the internet and its password never reaches your phone. Connect → Stream output shows what's going out and who's watching.
• Made for iPhone Duo. Shut, every control sits in one column beside the multiview. Open it like a book and Preview and Program each get a page; stand it half-open and the monitors go up top, scenes and TAKE on the flat half.
• AR glasses: second-screen mode works again on iOS 27.
• Lighter previews on mobile data, with a new Data Saver setting.
• A new app icon, with dark and tinted versions.
• Fixes: tab titles on iOS 27, the screen staying awake through a mid-show reconnect, playlists following a reconnect, Go Live and Stop doing exactly what you confirmed, and more.
• Made for iPhone Duo. Shut, every control sits in one column beside the multiview. Open it like a book and Preview and Program each get a page; stand it half-open and the monitors go up top, scenes and TAKE on the flat half.
• AR glasses: second-screen mode works again on iOS 27.
• Lighter previews on mobile data, with a new Data Saver setting.
• A new app icon, with dark and tinted versions.
• Fixes: tab titles on iOS 27, the screen staying awake through a mid-show reconnect, playlists following a reconnect, Go Live and Stop doing exactly what you confirmed, and more.
Ver 2.1.0 2026-09-12
Version 2.1.0 makes this a real iPad app, and gets it ready for a folding phone.
SHARPER PREVIEWS
Frames were always fetched at a fixed size chosen for a phone, however large they were actually drawn — so on an iPad you were looking at upscaled thumbnails. The app now asks OBS for the size each pane will really be drawn at, and measures again whenever the screen changes: rotate it, resize it, plug in a display. Low-spec / low-data mode is untouched, since asking for less is that mode's whole job.
THE DECK FILLS THE IPAD
The layout used to be picked by asking one question — is the screen taller than it is wide. That has two answers, for a range of screens running from a phone held upright to a tablet on its side. It is now picked by measuring the screen and taking the layout closest to its shape. On an 11-inch iPad that is the difference between roughly a fifth of the glass going unused and one or two percent of it, in both orientations.
A fresh install on a tablet also picks its opening layout from how many scenes you actually have, so you don't start on a grid with a row of empty boxes in it.
SPLIT VIEW AND SLIDE OVER
The app no longer demands the whole screen. Run the deck beside your rundown, your chat, your notes or a timer — it reflows to whatever width you give it, and TAKE stays where your thumb can reach it at every size.
READY FOR IPHONE DUO
Built against the iOS 27 SDK. Opened out, the deck uses a new near-square layout with PREVIEW and PROGRAM side by side above a 3x4 scene grid. Closed, it uses the tall phone stack. It reflows as the phone folds, the same way it already reflows when you rotate one.
A WALKTHROUGH ON FIRST LAUNCH
The step everyone gets stuck on is finding the WebSocket settings inside OBS. There is now a short animated walkthrough showing exactly where they live — Tools, WebSocket Server Settings, Enable, Show Connect Info — and how to scan the code OBS puts on screen. You can scan from any slide rather than waiting for the end. Replay it any time from Settings, About, and it is offered again when you add a second OBS machine.
FIXED
• Adding, renaming or removing a scene in OBS could briefly leave a tile showing the wrong feed.
• A tablet held upright could be given a layout built for a phone, stranding a third of the screen.
SHARPER PREVIEWS
Frames were always fetched at a fixed size chosen for a phone, however large they were actually drawn — so on an iPad you were looking at upscaled thumbnails. The app now asks OBS for the size each pane will really be drawn at, and measures again whenever the screen changes: rotate it, resize it, plug in a display. Low-spec / low-data mode is untouched, since asking for less is that mode's whole job.
THE DECK FILLS THE IPAD
The layout used to be picked by asking one question — is the screen taller than it is wide. That has two answers, for a range of screens running from a phone held upright to a tablet on its side. It is now picked by measuring the screen and taking the layout closest to its shape. On an 11-inch iPad that is the difference between roughly a fifth of the glass going unused and one or two percent of it, in both orientations.
A fresh install on a tablet also picks its opening layout from how many scenes you actually have, so you don't start on a grid with a row of empty boxes in it.
SPLIT VIEW AND SLIDE OVER
The app no longer demands the whole screen. Run the deck beside your rundown, your chat, your notes or a timer — it reflows to whatever width you give it, and TAKE stays where your thumb can reach it at every size.
READY FOR IPHONE DUO
Built against the iOS 27 SDK. Opened out, the deck uses a new near-square layout with PREVIEW and PROGRAM side by side above a 3x4 scene grid. Closed, it uses the tall phone stack. It reflows as the phone folds, the same way it already reflows when you rotate one.
A WALKTHROUGH ON FIRST LAUNCH
The step everyone gets stuck on is finding the WebSocket settings inside OBS. There is now a short animated walkthrough showing exactly where they live — Tools, WebSocket Server Settings, Enable, Show Connect Info — and how to scan the code OBS puts on screen. You can scan from any slide rather than waiting for the end. Replay it any time from Settings, About, and it is offered again when you add a second OBS machine.
FIXED
• Adding, renaming or removing a scene in OBS could briefly leave a tile showing the wrong feed.
• A tablet held upright could be given a layout built for a phone, stranding a third of the screen.
Ver 2.0.0 2026-08-22
Version 2.0.0 is the biggest update since launch. If you're coming from the version currently on the App Store, everything here is new to you.
HOLD YOUR PHONE UPRIGHT
The deck now works in portrait, with no controller and no accessory. The multiview stacks — Program over Preview over a two-column scene grid — and every control moves into one bar across the bottom, with TAKE on the right where your thumb already is. Rotate and it reflows to the wide layout; rotate back and it stacks again.
YOUR PALM CAN'T END YOUR STREAM
Stream and Record now ask before they fire when you tap them. The tallies sit low on the left rail, exactly where your hand holds the phone, and a resting palm could start or stop a live output. Stopping something that's live is called out as destructive, with a reminder that viewers are affected. Controller presses still fire instantly — pressing a button is deliberate in a way that leaning on glass is not.
PUT THE SHOW ON DISPLAY GLASSES
Plug in a display that acts as a real second screen — display glasses, a dock, a TV — and the multiview moves onto it. Your phone dims to a plain gesture pad you don't need to look at:
- Swipe anywhere to move the selection. Where your finger lands doesn't matter, only the direction.
- Tap once to stage that angle in Preview.
- Double-tap to cut it to Program.
- Hold anywhere to go back to the normal deck.
Every gesture answers with haptics, so you can work without looking down: a tick as the selection moves, a firmer bump when you reach the edge of the grid, and a distinctly heavier thump for going to air than for staging.
The glasses show the multiview and one small tally in the corner — a pulsing red dot with L while streaming and R while recording. When nothing is running, that corner is empty.
If your glasses only mirror your phone rather than acting as a second screen, turn on AR mode in Settings > AR glasses for the same gesture control.
ALSO IN THIS RELEASE
- Tiles in the tall layouts are now exactly 16:9, so borders hug the picture instead of enclosing black bands.
- The multiview background is true black, so the feeds read as floating rather than sitting in grey boxes.
- Connecting fails fast with a clear reason instead of spinning on "Connecting..." when OBS can't be reached.
ONE THING TO EXPECT
While a display is attached, iOS no longer mirrors your phone to it — the app shows the multiview there instead. On a TV that gives you a clean program monitor. You can switch this off with "Enter on external display" in Settings > AR glasses.
HOLD YOUR PHONE UPRIGHT
The deck now works in portrait, with no controller and no accessory. The multiview stacks — Program over Preview over a two-column scene grid — and every control moves into one bar across the bottom, with TAKE on the right where your thumb already is. Rotate and it reflows to the wide layout; rotate back and it stacks again.
YOUR PALM CAN'T END YOUR STREAM
Stream and Record now ask before they fire when you tap them. The tallies sit low on the left rail, exactly where your hand holds the phone, and a resting palm could start or stop a live output. Stopping something that's live is called out as destructive, with a reminder that viewers are affected. Controller presses still fire instantly — pressing a button is deliberate in a way that leaning on glass is not.
PUT THE SHOW ON DISPLAY GLASSES
Plug in a display that acts as a real second screen — display glasses, a dock, a TV — and the multiview moves onto it. Your phone dims to a plain gesture pad you don't need to look at:
- Swipe anywhere to move the selection. Where your finger lands doesn't matter, only the direction.
- Tap once to stage that angle in Preview.
- Double-tap to cut it to Program.
- Hold anywhere to go back to the normal deck.
Every gesture answers with haptics, so you can work without looking down: a tick as the selection moves, a firmer bump when you reach the edge of the grid, and a distinctly heavier thump for going to air than for staging.
The glasses show the multiview and one small tally in the corner — a pulsing red dot with L while streaming and R while recording. When nothing is running, that corner is empty.
If your glasses only mirror your phone rather than acting as a second screen, turn on AR mode in Settings > AR glasses for the same gesture control.
ALSO IN THIS RELEASE
- Tiles in the tall layouts are now exactly 16:9, so borders hug the picture instead of enclosing black bands.
- The multiview background is true black, so the feeds read as floating rather than sitting in grey boxes.
- Connecting fails fast with a clear reason instead of spinning on "Connecting..." when OBS can't be reached.
ONE THING TO EXPECT
While a display is attached, iOS no longer mirrors your phone to it — the app shows the multiview there instead. On a TV that gives you a clean program monitor. You can switch this off with "Enter on external display" in Settings > AR glasses.
