¥1,500
App Store で開く
iPhone / iPad 対応
3.7MB
年齢4+
CINE WHITE BALANCEはどんなアプリ？
CINE WHITE BALANCEは、カメラ機材ごとに異なる色温度や色味の数値を判別するツールです。
特定のカメラボディやレンズを選択すると、その機材固有の仕様に合わせて数値を自動で変換します。現場の光をスマホで捉えれば、使用する機材に合わせた正確な数値を導き出せるため、頭の中で計算する手間が省けます。レンズを交換すれば画角の変化もシミュレートされ、撮影前に実際の見え方を予習できます。さらに、特定のフィルターを装着した際の減光量や、予測される光の色の変化もあわせて確認できるため、事前の準備がスムーズに進みます。
撮影現場の光の状態から適切なフィルターを選びたい時や、機材の仕様差による色味の変化を確認したい場面にうってつけです。機材ごとに異なる数値を正確に把握したい映像制作の現場で、確実な準備を支えます。
アノアプリによる紹介文です。デベロッパー公式の説明はApp Storeでご確認いただけます。
CINE WHITE BALANCEの注目ポイント
機材固有の数値を判別する機能
カメラやレンズごとに異なる色温度や色味の数値を判別します。撮影する機材の仕様に合わせた数値を自動で変換するため、頭の中で計算する手間を省いて正確な設定を確認できます。
レンズ交換による画角の変化を再現するビューファインダー
特定の機材とレンズを選択すると、その組み合わせでの見え方をシミュレートします。レンズ交換に合わせて動くズーム倍率やセンサーの形状を反映し、撮影前に実際の構図を確認できます。
現場の光に合わせたフィルターの特定
撮影場所の光の状態をスマホで読み取り、装着すべきフィルターの種類を特定します。減光量や色味の変化を予測できるため、事前の機材準備をスムーズに進められます。
撮影条件の記録と共有
撮影したシーンの情報をCSVやPDF形式で書き出せます。現場の座標や設定内容を記録したリストを作成するため、編集者や技術スタッフへの情報共有に便利です。
価格履歴
今の価格は1,500円です。過去128日間では、この価格だった期間が最も長くなっています。この間に1回値上げされ、値下げはありませんでした。
アノアプリが独自に収集した価格履歴をもとに分析しています。
- 買い時判定
- 通常価格
- 記録期間
- 128日
- 最頻価格
- ¥1,500
- 記録上の最安値
- ¥800
価格更新履歴
| 日付 | 価格 |
|---|---|
| 2026-08-16 | ¥1,500 |
| 2026-07-06 | ¥800 |
ランキング推移
写真／ビデオ（有料）：最終圏内 88位（2026年09月27日）
ユーザーレビュー （当サイト投稿）
まだレビューがありません。最初のレビューを書いてみましょう。
アプリ更新履歴
Ver 5.2 2026-10-08
A DIRECTOR'S VIEWFINDER
New, and the reason for this release. Pick a body, its shooting mode and a lens set, and the live picture shows what that combination would see. The frame is the sensor's native shape and holds still; changing lenses ramps the phone's zoom so the picture moves behind it the way it would if you swapped glass.
81 bodies and 124 imaging modes across ARRI, RED, Sony, Canon, Blackmagic, Panasonic, Fujifilm, Nikon, Leica and Z CAM. 103 lens series, cine and stills, with mount adapters, speed boosters, extenders and anamorphic squeeze. Framelines, a thirds grid, and shading you control.
The white balance now reads out inside the viewfinder in the units of the body you picked — not whatever the meter screen was left on — and says NEAREST K or CC CLIPS when the body cannot actually be set to what the light is.
AE lock and an exposure trim. A luminance histogram. A three-way grade previsualised over the live picture, written as ASC CDL so the numbers on screen are the numbers a colourist would type.
Capture stills or walkthrough clips. Every frame carries the camera, lens, frame shape, angles of view, white balance and place — burned across the picture and listed on its own page. Group them by job and send a shotlist PDF.
SCOUT
The four tools for standing somewhere before the camera does — the viewfinder, your captured frames, the sun tracker and predicted colour — are together on the tool row now, under their real names.
ON THE METER
Zoom steps through 0.5x, 1x, 2x, 3x, 5x and 8x instead of flipping between 1x and 2x, so you can take a whole room in or meter a practical across it.
Place names and coordinates can now be kept out of every export — the CSV, the PDF, the shotlist and the strip burned onto a captured frame. In Calibration, under PRIVACY.
The Kelvin reading is steadier. The sun tracker gained solstice tracks, a sky grid and any date. Framing answers the questions people actually arrive with, and gives the custom marker number your monitor asks for.
FIXED
Buttons that sometimes needed a second press before they would take.
Info and the walkthrough now cover everything above.
New, and the reason for this release. Pick a body, its shooting mode and a lens set, and the live picture shows what that combination would see. The frame is the sensor's native shape and holds still; changing lenses ramps the phone's zoom so the picture moves behind it the way it would if you swapped glass.
81 bodies and 124 imaging modes across ARRI, RED, Sony, Canon, Blackmagic, Panasonic, Fujifilm, Nikon, Leica and Z CAM. 103 lens series, cine and stills, with mount adapters, speed boosters, extenders and anamorphic squeeze. Framelines, a thirds grid, and shading you control.
The white balance now reads out inside the viewfinder in the units of the body you picked — not whatever the meter screen was left on — and says NEAREST K or CC CLIPS when the body cannot actually be set to what the light is.
AE lock and an exposure trim. A luminance histogram. A three-way grade previsualised over the live picture, written as ASC CDL so the numbers on screen are the numbers a colourist would type.
Capture stills or walkthrough clips. Every frame carries the camera, lens, frame shape, angles of view, white balance and place — burned across the picture and listed on its own page. Group them by job and send a shotlist PDF.
SCOUT
The four tools for standing somewhere before the camera does — the viewfinder, your captured frames, the sun tracker and predicted colour — are together on the tool row now, under their real names.
ON THE METER
Zoom steps through 0.5x, 1x, 2x, 3x, 5x and 8x instead of flipping between 1x and 2x, so you can take a whole room in or meter a practical across it.
Place names and coordinates can now be kept out of every export — the CSV, the PDF, the shotlist and the strip burned onto a captured frame. In Calibration, under PRIVACY.
The Kelvin reading is steadier. The sun tracker gained solstice tracks, a sky grid and any date. Framing answers the questions people actually arrive with, and gives the custom marker number your monitor asks for.
FIXED
Buttons that sometimes needed a second press before they would take.
Info and the walkthrough now cover everything above.
Ver 5.0 2026-09-24
Version 5 is the biggest update since launch. Five new tools, all built on
the meter you already have.
GELS
Measure a source, and the app tells you what to put in front of it. Pick a
target - 3200K, 5600K, or anything between - and it returns the gel from the
LEE or Rosco book that gets you closest, where the light lands, and what it
costs you in stops.
Match mode does the harder job. Meter the window, meter the practical, and
it gives you the gel that makes the second match the first. Mixed daylight
and tungsten interiors, solved on the spot.
PREDICTED COLOUR
What the light will be, where you are going, before you get there. Exact sun
geometry for any place and any time, narrowed by cloud cover from the
forecast. Drop a pin on the map or jump to where you are standing.
Already on location? Anchor the prediction to your live reading, and the app
models only the change from it.
THE DAY
Every reading from a shoot day, plotted against the sun that produced it.
Colour temperature on a mired axis over night, blue hour, golden and full
sun. A jump in the trace where the sun did not move is a lighting change
somebody made - visible on the day, not in the grade.
FRAMING
52 sensor formats from ARRI, Sony, RED, Blackmagic, Canon and Panasonic,
with recording modes listed separately rather than averaged. 18 delivery
ratios including 4:5 and 9:16. Angle of view for any lens, and the exact
pixel dimensions for your timeline at 8K through 720p, with even, mod-8 and
mod-16 rounding.
SUN TRACKER
The sun's path over the live camera, with sunrise, sunset, golden hour and
shadow length for any date and place. Set a horizon angle for a valley or a
building and the times move with it.
SCENE REPORTS
Export a day as CSV or PDF. Every reading now carries where it was taken and
where the sun was standing, alongside the stills, the rig settings and your
notes. Scenes shows it too - place and sun stage on every row.
SHOW ME AROUND
A guided tour that lights up each control in turn on the real screen, swipes
the console to the page it is describing, and walks you into the sun
tracker. Replay it any time from Info.
ALSO IN THIS RELEASE
- Camera profiles for 19 bodies, each checked against the camera it
describes, plus a one-minute routine to fit the tint scale to your own
- Warning when a source sits too far off the blackbody line to trust a
Kelvin number from
- Redesigned readout with a swatch of the measured light, and scales that
read like instrument scales
- The colour temperature scale now labels itself correctly - captions sat up
to a sixth of the bar from the value they named
- Widget now available on iOS 18. It previously required a newer system than
the app itself, so it quietly never appeared
- Fixes for the saved reference surviving an update, the app group behind
the widget, and the sun tracker asking for location
the meter you already have.
GELS
Measure a source, and the app tells you what to put in front of it. Pick a
target - 3200K, 5600K, or anything between - and it returns the gel from the
LEE or Rosco book that gets you closest, where the light lands, and what it
costs you in stops.
Match mode does the harder job. Meter the window, meter the practical, and
it gives you the gel that makes the second match the first. Mixed daylight
and tungsten interiors, solved on the spot.
PREDICTED COLOUR
What the light will be, where you are going, before you get there. Exact sun
geometry for any place and any time, narrowed by cloud cover from the
forecast. Drop a pin on the map or jump to where you are standing.
Already on location? Anchor the prediction to your live reading, and the app
models only the change from it.
THE DAY
Every reading from a shoot day, plotted against the sun that produced it.
Colour temperature on a mired axis over night, blue hour, golden and full
sun. A jump in the trace where the sun did not move is a lighting change
somebody made - visible on the day, not in the grade.
FRAMING
52 sensor formats from ARRI, Sony, RED, Blackmagic, Canon and Panasonic,
with recording modes listed separately rather than averaged. 18 delivery
ratios including 4:5 and 9:16. Angle of view for any lens, and the exact
pixel dimensions for your timeline at 8K through 720p, with even, mod-8 and
mod-16 rounding.
SUN TRACKER
The sun's path over the live camera, with sunrise, sunset, golden hour and
shadow length for any date and place. Set a horizon angle for a valley or a
building and the times move with it.
SCENE REPORTS
Export a day as CSV or PDF. Every reading now carries where it was taken and
where the sun was standing, alongside the stills, the rig settings and your
notes. Scenes shows it too - place and sun stage on every row.
SHOW ME AROUND
A guided tour that lights up each control in turn on the real screen, swipes
the console to the page it is describing, and walks you into the sun
tracker. Replay it any time from Info.
ALSO IN THIS RELEASE
- Camera profiles for 19 bodies, each checked against the camera it
describes, plus a one-minute routine to fit the tint scale to your own
- Warning when a source sits too far off the blackbody line to trust a
Kelvin number from
- Redesigned readout with a swatch of the measured light, and scales that
read like instrument scales
- The colour temperature scale now labels itself correctly - captions sat up
to a sixth of the bar from the value they named
- Widget now available on iOS 18. It previously required a newer system than
the app itself, so it quietly never appeared
- Fixes for the saved reference surviving an update, the app group behind
the widget, and the sun tracker asking for location
Ver 4.1 2026-07-01
Version 4.1 is a massive leap forward, turning Cine White Balance into a true, live-reading exposure and ND calculator.
Updated UI to allow Display Zoom
• Live Advanced Exposure Calculator: We’ve tapped directly into the iPhone’s sensor to read real-time Scene EV. Set your target FPS, ISO, Shutter, and Iris, and the app will instantly calculate the exact light reduction needed.
• Cinema-Standard ND Suggestions: The calculator now outputs standard whole-number Filter Factors (ND4, ND8, ND64, ND128) alongside the exact decimal stop reduction (e.g., -6.8) so your AC knows exactly which glass to grab, and the DP knows exactly how to tweak the Iris.
• Direct Keypad Entry & Toggles: Say goodbye to rigid menus. Tap any exposure variable to pull up a custom number pad and punch in exact fractional frame rates, custom shutter angles, or native sensor ISOs. Includes instant toggles for T-Stop/F-Stop and Angle/Speed.
• Tactile EV Comp Bar: Added a sleek, horizontal segmented scale for rapid -3 to +3 exposure compensation adjustments on the fly.
• Streamlined Dashboard UI: Consolidated the paging console into three highly focused tabs. We also relocated the Hardware Profile badge to the top navigation bar to give the central Kelvin and Tint readouts maximum breathing room, and forced Dark Mode across all input keyboards to protect your eyes on dark sets.
Updated UI to allow Display Zoom
• Live Advanced Exposure Calculator: We’ve tapped directly into the iPhone’s sensor to read real-time Scene EV. Set your target FPS, ISO, Shutter, and Iris, and the app will instantly calculate the exact light reduction needed.
• Cinema-Standard ND Suggestions: The calculator now outputs standard whole-number Filter Factors (ND4, ND8, ND64, ND128) alongside the exact decimal stop reduction (e.g., -6.8) so your AC knows exactly which glass to grab, and the DP knows exactly how to tweak the Iris.
• Direct Keypad Entry & Toggles: Say goodbye to rigid menus. Tap any exposure variable to pull up a custom number pad and punch in exact fractional frame rates, custom shutter angles, or native sensor ISOs. Includes instant toggles for T-Stop/F-Stop and Angle/Speed.
• Tactile EV Comp Bar: Added a sleek, horizontal segmented scale for rapid -3 to +3 exposure compensation adjustments on the fly.
• Streamlined Dashboard UI: Consolidated the paging console into three highly focused tabs. We also relocated the Hardware Profile badge to the top navigation bar to give the central Kelvin and Tint readouts maximum breathing room, and forced Dark Mode across all input keyboards to protect your eyes on dark sets.